鲁德久,字绵长,生于1957年5月,山东省新泰人,大学学历,自由书法家。现为:中国书画家联谊会新文艺群体书画家工作委员会特聘书画家,新泰市老年大学书法教师,中国香港书法家协会理事、副秘书长,世界青年文明论坛书画创作委员会委员等。他自幼酷爱书法,几十年来一直将书法艺术作为精神生活的一大乐趣和业余爱好。多年来,坚持不懈的临习“二王”及欧柳颜赵及苏黄米蔡等历代大家名帖,注重吸收古代大师的营养,放纵于自然而然之妙处,不追求虚名,不把精力浪费在一些展览上,而是规规矩矩写字,本本分分的做人。透过他的作品可以看出鲁德久先生有学识,有思想,有扎实的外功,所谓腹有诗书气自华,勤奋刻苦,有不断进取的精神。他在追求精品的同时又有创新,不做应酬之作,拒绝平庸。
Lu
Dejiu, born in May 1957 in Xintai, Shandong Province, has a university
degree and is a free calligrapher. At present, he is a special painter
in the New Art Group Painting and Calligraphy Working Committee of
Chinese Painting and Calligraphy Association, a calligraphy teacher in
xintai city University for Senior Citizens, a director and deputy
secretary-general of Hong Kong Calligraphers Association of China, and a
member of the Painting and Calligraphy Creation Committee of the World
Youth Civilization Forum. He loved calligraphy since childhood, and has
always regarded calligraphy as a great pleasure and hobby in his
spiritual life for decades. Over the years, I have persistently studied
the famous posts of "Two Kings", Ou Liuyan Zhao and Su Huangmi Cai,
etc., paying attention to absorbing the nutrition of ancient masters,
indulging in the natural beauty, not pursuing false names, not wasting
energy on some exhibitions, but writing according to the rules and being
a man according to the book. Through his works, we can see that Mr. Lu
Dejiu is knowledgeable, thoughtful, and has solid external work. He is
so-called self-glorifying, diligent and enterprising. He is innovative
while pursuing high-quality goods. He doesn’t do entertainment and
refuses mediocrity.
鲁德久作品
《中国书画家报》执行主编点评:
Comments on the executive editor of China calligrapher and painter newspaper;
书法有道,法度森严,循其书道,是为锤炼也。无论是何人,习书均必须以古作基,否则便难成书法大就,也正是基于此点,书法才能够延续百年至今,经久不衰。而人都难免各有性情,学书之人,亦是如此,遂有两类者,一者习书拘泥自封,从不敢越书道雷池一步,二者习书思想激进,面对传统全盘否定。这就使得书道在当今处于一种尴尬的境地,新人不惜,守者顾忌,虽能引人入胜,但也可能成为一种循规蹈矩的枷锁,而如何在这其间找到出路,找到法度,便是摆在当今书坛的一大问题。
Calligraphy
has a good way, and its testimonies are strict. It is for tempering. No
matter who you are, studying calligraphy must be based on the past,
otherwise it will be difficult to complete the calligraphy. It is
precisely because of this that calligraphy can last for a hundred years
and last forever. Everyone inevitably has his own temperament, so do
those who study books. Therefore, there are two kinds of people. One is
self-styled in studying books, and never dares to cross the line. The
other is radical in thinking about studying books, facing the total
negation of tradition. This makes the book way in an awkward position
today. Although it can be fascinating, it may also become a shackle of
following the rules. How to find a way out and find the testimonies in
the meantime is a big problem in today’s book circle.
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观赏鲁德久先生的书法,深觉他是一位从法度中找到了出路和来路的学习者,能够在森严的书法法度中任意进出,纵游笔墨。鲁德久先生的书法善于行草,从其作品中,也不难看出他对苏黄米蔡等名师法帖的厚爱,学米芾书风,写的独有四面,是为险不怪,稳不俗,风姿跌宕,神气骏快,颇具此韵。
Looking
at Mr. Lu Dejiu’s calligraphy, I deeply feel that he is a learner who
has found a way out and a way out from the testimonies, and can freely
enter and exit in the strict calligraphy testimonies. Lu Dejiu’s
calligraphy is good at cursing. From his works, it is not difficult to
see his deep love for famous teachers such as Su Huang Mi Cai, learning
Mi Fei’s style of calligraphy, and writing in four unique ways, which is
for danger, stability, ups and downs, and handsome and fast.
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有道是,清风出袖,明月入怀,在作品的笔法上,鲁德久先生达到了一种既能随心所欲,而又不逾规矩的笔墨境界,其行草用笔融于己情,不计工拙,无拘无束,运笔纵笔豪放,一泻千里,老辣遒劲,颇得流丽,笔线更是多于变化,时偏正轻重,时曲直快慢,条条妙如天造,意气淋漓,浑然天成,通幅墨迹,浓淡相辅,燥润相杂,以润取妍,以燥取险,不浮不躁,神采自成。概言之,在笔墨之中,他并不拘泥于某些小细节的处理,而是将笔墨线条交由书写的情绪,转折承接,宣泄性情,厚重之处,力着千钧,空虚之处怀若涵谷,映带牵连,是为妙然。
As
the saying goes, the breeze comes out, and the next month is in my
arms. In the brushwork of his works, Mr. Lu Dejiu has reached a kind of
pen and ink realm that can follow one’s inclinations without exceeding
the rules. His pen is integrated with his own feelings, regardless of
his work, and he is unrestrained. His pen is bold and unconstrained, and
he is rushing thousands of miles, hot and vigorous, and he is quite
fluent. His pen line is more than change and sometimes biased To sum up,
in the pen and ink, he does not stick to some small details. Instead,
it is wonderful to hand over the lines of pen and ink to the emotion of
writing, to undertake the turning point, to vent the temperament, to
force the fateful, and to reflect the implication in the emptiness.
鲁德久作品
在作品的结构与章法上,他也是颇下功夫,为了营造出行草畅达的意境,他在点画之间,时时做好铺垫,书写随遇而变,独出机巧,使字与字之间随势而安,行与行之间递相映带,整幅行草在兼及上古的同时,又得时风时貌,如是气畅,精妙和谐,作品自然而然的产生了一种字里金生,行间玉润的艺术效果,细品良久,畅怀不已,着实令人愉悦心神。
In
the structure and composition of his works, he also made great efforts.
In order to create the artistic conception of traveling grass, he
always paved the way between stippling paintings, and his writing
changed with the times. He was ingenious, so that words kept pace with
the situation, and lines reflected each other. The whole traveling grass
was both ancient and contemporary. If it was smooth, exquisite and
harmonious, the work naturally produced a word
鲁德久作品
驰毫骤墨于素纸,翰墨华茂气凛然。书法无功而不实,无辛而不精,无韵而不通,无气而不妙,鲁德久先生于数十年间,临池不辍,力求悟索,不与世俗相争,不与名利同流,规矩做人,规矩作书。作品深得凝重之势,亦得笔墨之妙,姿态横生,纯以神写,神采佳韵淋漓尽致。正如先贤孙过庭所言,此实乃通会之际,人书俱老,平正和谐。
Chi
milli flash ink in plain paper, calligraphy Hua Mao spirit Lin however.
Calligraphy is futile, devoid of flavor and essence, devoid of rhyme
and sense, and devoid of breath. For decades, Mr. Lu Dejiu kept coming
to the pool, striving to understand the requirements, not to compete
with the secular, not to keep pace with fame and fortune, and to behave
and write books according to the rules. The works are dignified,
wonderful in pen and ink, full of posture, written purely by God, and
full of beautiful charm. As the sage Sun Guoting said, this is the time
when people and books are old, fair and harmonious.
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